The growing list of Bollywood's new-gen actors gets fresh faces in Vyom and Saachi Bindra, who will make their big screen debut in the musical romance, Mannu Kya Karegga.
It has entered the Rs 100 Crore Club with ease and will eventually aim for lifetime collections in the vicinity of Rs 150 crore.
'I was blessed that I had seen him very closely. There was a time when he was trying to direct a film with me when I was a teenager'
From facing Dennis Lillee to filming with Dharmendra, Mohsin Khan goes back in time in a freewheeling interview.
'I wouldn't have called myself an athletic person growing up. But training for this film changed that.' 'It pushed me in ways I didn't expect and made me discover a strength I didn't know I had.'
'A story has to do something within me for me to say yes to it.'
'The film-literate public in Kerala are not happy watching run-of-the-mill movies.'
'He was able to push the AIADMK to the background.'
'What is it about the institution of faith that makes somebody get a sense of impunity, that they believe they can get away with anything?'
'If I had the chance now, I would have continued acting.' 'The cultures of Maharashtra and Bengal are different and I felt I had to give my best to be a good daughter-in-law and an ideal wife.' 'I never thought I could balance both.'
'Vijay is not in the mood to care for the people even now.' 'Everybody is traumatised but Vijay is not consoling them.'
'Ahaan Panday and Aneet Padda have captured the relevance to and imagination of Gen Z and millennial viewers.'
More screens, more films, and longer windows will convert to more people watching, assuming they know a film is releasing, points out Vanita Kohli-Khandekar.
'I fell in love with Suraiya and that was my first real gafla. The more I couldn't get her, the more I wanted her. When I couldn't marry her because the world didn't want it, I cried for the first time.'
'Playing a negative role was a positive experience for me, doing things I'd never do in real life.'
'Story-telling is at the core of everything I do.'
Seventy years after Pather Panchali released on August 26, 1955, we finally get it. Shuttling between the village of Boral and a studio in Calcutta, caught between worrying about the next purse of funds and wondering which item to mortgage next, Satyajit Ray was explaining Indians to themselves, discovers Sreehari Nair.
'The evening show is coming to an end, and everyone is on the phone and I want to take everyone's call.' 'I want to ask how they liked the film. How did they feel when they left the cinema while crying?'
'We're witnessing a consistent surge in audience demand for IMAX screenings, particularly for high-octane, spectacle-driven films.'
The cheeky young man who once gave me one-word answers grew into a philosophical, detached star yet remained simple and humble, never letting stardom steal his heart, notes Rediff's Shobha Warrier who first interviewed the Dadasaheb Phalke Award winner in 1987.
'So my question was, 'What is it that you are proud of? What have you achieved? What is your contribution?' 'He had no answer.'
'Your family doesn't want you to come to this field because there's no direction, no formula.' 'It's not as if your career is settled and you will get work consistently.'
'You need the drishti, the experience. I am beginning to see things differently.'
No author in the Malayalam literary canon has influenced and profoundly changed the way normal people interact with each other than the ever-relevant, eclectic yet elusive body of work left behind by MT Vasudevan Nair, notes Arjun Menon.
'When India opened its doors to the world, moving away from an agrarian to a market economy, everything, whether life or love, was commodified.'
Harshaali Malhotra, best known for playing Munni in the Salman Khan-starrer Bajrangi Bhaijaan, will make her debut in Telugu cinema with Akhanda 2: Thaandavam.
'We should support cinema that's rooted in our culture and not ape the West.'
After all, she was working with three legends -- Kamal Haasan, Mani Ratnam and A R Rahman.
Varun Aaron said that the England batting unit is not going to be "very comfortable" heading into the third Test against India at Lord's
With 17 films crossing the Rs 100 crore mark in the first six months, this year relied less on big-ticket blockbusters.
Akash Deep dedicated his stellar performance in the second Test to his sister, who has been battling cancer for the past two months.
Over-the-top platforms make it difficult for movies to run for long periods on the silver screen, thus hurting the cinema industry.
'Some time back, music was just noise.' 'Producers wrongly think item songs sell better.' 'Audiences are intelligent, they accept whatever you give, but that doesn't mean you can fool them.'
'Even if I had the backing of a big corporate house, which I don't, in today's market, I wouldn't want the responsibility of making a Rs 300 crore-Rs 400 crore film.'
Audiences will hope that Rajinikanth's Coolie, Lokesh Kanagaraj's action film and Rajkumar Hirani's Dadasaheb Phalke biopic are not marred by Aamir Khan's disconcerting, repetitive performances. Aamir's real strength lies in championing stories that challenge conventions and are considered risky by mainstream filmmakers.
'He was a tremendous artist of a very high order, gone too soon. He not only reshaped the visual language of Indian Cinema through his cinematography in Aravindan's films, Shaji sir gave us all a sense of direction through his mainstream work as a cameraman.'
There's a reason why Anupam Kher directed Tanvi The Great.
'If a survey were conducted, many people wouldn't understand the concept.' 'Thanks to Rangeen, a conversation has started.'
The reasons are too private to be discussed at a round table, listed out during a seminar, or uncovered in an academic course. A proud but insomniac connoisseur murmuring in his sleep may do a better job of explaining the phenomenon than an expert on a podium. Sreehari Nair airs his thoughts.
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